Monday, September 12, 2011
Thursday, April 21, 2011
Alive After 5 tonight in Roswell, GA
Alive After 5 kicks off tonight in historic Roswell, GA from 5pm - 9pm. For this fun event, the shops on Canton Street stay open late, there is typically live music, and various vendors set up tents all along the street. If you haven't had a chance to visit Galerie Matilda's new location in Roswell yet, this would be a great opportunity. Many of my "New Mixed Media" paintings are hanging there, so if you live anywhere nearby, please go and check them out.
While you are at Alive After 5, check out one of the many great restaurants on Canton Street. If you are in the mood for sushi, check out Zest next door to Matilda's - it is so yummy! When I take my kids, we love to eat at The Fickle Pickle - don't miss their fried pickles and homemade potato chips. Outside The Fickle Pickle, the Roswell Fine Arts Alliance will have many of their works on display and for sale.
Alive After 5 is held the 3rd Thursday of the month, from April through October.
Please check out my paintings at http://JenniferFerrisArt.com/
Wednesday, April 20, 2011
Painting in Italy...well, sort of...
(The reference photo to the left is the courtesy of one of Maureen's students from another of her classes.)
I have only recently purchased a lightweight travel easel, and have yet to attempt actual plein air painting. I have to get organized with the rest of my plein air supplies, and, to be honest, I am just spoiled with having everything already set up and ready to go in my studio. But, I do hope to try it sometime this spring or summer. Although, my ideal scenario is expanding my studio and adding French doors to it, so that I can paint inside while feeling like I am outside. We are talking to an architect soon, so I "have my fingers crossed." In the meantime, if you have any tips for plein air painting, please leave a comment and share your tips.
Whenever we paint the same subject as a class, it is always so interesting to see how differently everyone interprets the reference and how varied are the paintings. Next time, I will have to remember to take photos of several different artists' paintings. I especially like the composition of Maureen's painting. She zoomed in on the buildings, so that they dominated the painting. And, she planned to have sky above the buildings, rather than more hills. I also loved how Lorra's painting was looking - somewhat abstract, and a beautiful palette. Despite our challenge to work quickly, I believe Jane is the only one who finished. She is by far the fastest painter in the class, and can usually sign her painting each week before she leaves. I have to say, I am very jealous:-)
Please check out my paintings at http://JenniferFerrisArt.com/
Monday, April 18, 2011
New Seagulls Painting
I have finished my latest painting in my Seagulls series. This one features 3 seagulls flying on a blue-gray sky that fades from dark teal to a lighter blue-gray. Sometimes it is so hard to come up with a title for a painting, especially when painting "in series". If you have any suggestions for a title, please leave me a comment and let me know - I would love any suggestions!!
Here are the other paintings in the series so far:
"Escape from Winter",
...which I painted during a cold, dreary week, and the following dyptich, "Beach Beauties":
Please check out my paintings at http://JenniferFerrisArt.com/
Thursday, April 14, 2011
Latest Painting
After several weeks of minor revisions, I finally finished my triptych of the three girls walking on a city sidewalk. That is how my best paintings typically go – I am able to get them to 90 – 95% complete in the first session or two, and then I let them sit. I keep coming back to them and tweaking them for a week or two or more until I am completely satisfied.
As I have mentioned previously, the critique stage is so critical. I need to step back from the painting frequently to see how it “reads” from a distance. I will also look at it in different lighting. I don’t like to squint, so instead, I turn off all the lights inside and outside my studio except for the main overhead light, which has a dimmer switch on it. I study my painting as I slowly dim the light. Sometimes I will take an “in progress” photo of my paintings and study the printout and the thumbnail. There are so many different ways to view your painting and see it differently, to make sure the overall composition is strong and that the intended focal area is working.
I decided to title this painting "Headed for Adventure". This painting is based on a photo I took on my 40th birthday celebration trip to Austin, TX last year with a group of girls I have known since the 3rd grade. We had such a fabulous time, and on this particular day, we got to see a bit of the reason behind the phrase "Keep Austin Weird", as we attended the annual Eeyore's Birthday Party Festival. We also got to attend a great art festival that day - so much fun!
This painting is on three separate canvases, each one measuring 36"h x 12"w, for an overall dimension of 36" x 36". The edges are painted a dark brown, and so the group of paintings is suitable for hanging with or without frames.
Please check out my paintings at http://JenniferFerrisArt.com/
Wednesday, April 13, 2011
Paper Painting Workshop by Elizabeth St. Hilaire Nelson
"Elephant" by Elizabeth Nelson
I have just signed up for a Paper Painting Workshop by Elizabeth St. Hilaire Nelson, and I am so excited about it! My husband, Brad, and my two boys are going on a Boy Scout trip the same weekend, so the timing is just perfect. I had some other tentative plans for that weekend, but when I came across this workshop description, it just seemed like it was meant to be:-) It will be so much fun to immerse myself in painting with a group of people for two 6.5 hour days. And, Elizabeth's paintings are so gorgeous!!!Of course, I already work with a type of collage to create the textured backgrounds for my newest acrylic paintings, but Elizabeth's technique is quite different. In Elizabeth's paintings, as well as many other collage/mixed media artists', you still see some of the original media (newspapers, etc.) in the finished painting. I have only done this to a limited extent in some of my paintings, such as "A Cow in Paris" to the right, but haven't really delved into the process of multiple layers of both collage and paint, or in using collage elements to contour the shape of an image. I don't know if I will incorporate any of this process in to my future paintings, but to learn the techniques will be so much fun.
I can't wait to share with you what I create in this workshop! Check back in early May for the photos.
Please view my paintings at http://JenniferFerrisArt.com/
Monday, April 11, 2011
Practice Painting in Big Sky
Well, I promised that I would post pictures of my paintings during our trip to Big Sky last week, so here goes. Of course, there is never as much time as you think there will be, and so I only started 3 small paintings, and did not complete any of them. But, they were fun practice. And, I took lots of photos, and have lots of ideas for a future series of paintings.
The first painting to the left is a quick abstract landscape that I did without a reference, and the colors were chosen based on what I had on my palette (totally breaking "the rules"). I did this painting as we were packing to go home. I needed to clean my palette and hated to waist the paint. I think it might be my favorite of the three - I like the loose, easy style, and the vibrant colors.
This next one is based on a photo I took on a previous trip to Big Sky during the summer. To finish it, I need to work on the fence (it is only quickly sketched-in at this point), add a little more definition to the trees, and finish the flowers and grass in the foreground.
And, the last one below has several areas that need work. First, I think I would remove the far rocky/sandy bank, as I think it is distracting and taking away from the overall composition. Once that is removed, it will be easier to see what else needs to change to make this painting really work.
Learning to critique your paintings is such a valuable skill for an artist. I think I have mentioned previously how much I have learned in that area from Maureen's classes. She is also always reminding us to step back from our paintings frequently, to "paint a little, and look a lot". I will usually come back to a painting several times over the course of a week or two, continuing to modify it as I notice areas that could be improved.
Please check out my paintings at http://JenniferFerrisArt.com/
Friday, April 8, 2011
Art and Decor
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Wednesday, April 6, 2011
Gallatin River Gallery
Please check out my paintings at http://JenniferFerrisArt.com/
Sunday, April 3, 2011
A Very Inspiring Place to Paint
Yesterday, we arrived in Big Sky, Montana. We are here for spring break to do some skiing. My in-laws are from Montana and have a house here, so we typically try and make the trip at least once a year.
It is so amazingly beautiful here, especially the drive along the Gallatin River on our way from the Bozeman airport to the house in Big Sky. Unfortunately, it was raining and we were in a bit of a hurry to get skis before they closed, so I didn't get to stop to take any pictures. I tried to ingrain some of the images in my head, so I can try and paint them this week-the red willow against the beautiful teal water and touches of white snow on the banks.
I plan to try and paint lots of small landscapes in oil while I am here this week. Please check back later this week for some photos of the paintings.
Please check out my paintings at http://JenniferFerrisArt.com/
Friday, April 1, 2011
Today's Inspiring Artists
Another wonderful artist at Huff Harrington that I have followed for years is Liz Barber. When I first saw her work, she was painting these very ethereal, soft, abstract flowers - so beautiful. Now her work is even more abstract, and still maintains that ethereal quality. It is so interesting to see how artists' works evolve over time. If you would like to see some of my earlier works, visit my previous website at http://www.artbyjferris.blogspot.com/, which covers my works from 2007 until about August of 2010.
Please check out my paintings at http://JenniferFerrisArt.com/
Wednesday, March 30, 2011
Figure Painting Excercise - Part II
Yesterday in Maureen's painting class, we continued with the figure painting exercise, inspired by the paintings of Michael Steirnagle - so much fun! As it turns out, this exercise is much more of a color study than a figure painting exercise, as we were focused mainly on the background. Here is my painting so far:
I think the background is fairly close to being finished, but I plan to work on the figure more. I will probably change her arms, and do some additional work on her hair and dress.This week, Maureen...
- Reminded us to keep our paintings as primarily cool or primarily warm. Our paintings could have elements of both, but warm or cool colors should dominate.
- Instructed us to add more color and reminded us to focus on complimentary colors, and have them appear next to each other - so, blue next to orange, red next to green, and purple next to yellow. We ended up doing several "walk-around" critique sessions this week, and at the first one, Maureen thought I had gone a little too nuts with red and green - a little too "Christmassy":-) Part of the problem was that my orange sidewalk (next to my blue road:-) had dried to look red. In other areas where I had added touches of red and green, my reds, and some of my greens, were way too bright and needed to be toned down.
- Encouraged us to add patterns to our paintings, again focusing on complimentary colors, so blue swirls on an orange background, or purple and yellow stripes, etc. We all really had to try and let loose/be free with this part of the excercise, since these patterns wouldn't necessarily appear in any of our realistic elements. The detail photos below show some of the patterns I added to my painting. As usual, Maureen shared lots more tips and insight. She is really great at analyzing paintings. If you are interested in her classes, she teaches at Chastain, Roswell and Alpharetta Art Centers. You can also see some of her paintings at: The Art House Gallery.
Please check out my paintings at http://JenniferFerrisArt.com/
Tuesday, March 29, 2011
Painting Class with John Stanford - Part II
Last Saturday brought another great class led by John Stanford. I almost didn't make it due to the weather. It is a 1.5 hour trip from my house, and the last 30 minutes of the trip are curvy, mountain roads. I am not a big fan of the drive under the best of conditions, even thought it is quite beautiful, and the forecast of rain, and possible thunderstorms, almost kept me at home. But, I am glad I went, not only to watch John paint and gain from him as much knowledge as possible, but to paint with my mom and her friends - very good company, indeed. My dad is also there to keep us happy with coffee and refreshments - thanks Dad!
In these first two classes, I took many notes on working "wet on wet", different approaches for "staining" your canvas, and a variety of techniques for enhancing the depth of your landscape paintings (even though I keep forgetting to bring a notebook & pen:-). Of all John's tips, there are two things he stressed that would make all of us better painters:
- Use more paint.
- Keep all of your materials clean.
Another point that came up in class that I wanted to include here for discussion purposes: I, and several others in class, were under the impression that you could paint oil over acrylics, but John cautioned against this practice. He pointed out that oil over oil is a molecular bond, but oil over acrylics is only a surface bond, and that it may peal off over time. I would love to hear from others about your experiences with this.
Sunday, March 27, 2011
Works in Progress
Thursday, March 24, 2011
A Look at my Studio
Wednesday, March 23, 2011
Figure Painting Excercise
This week we started a figure painting exercise, inspired by the paintings of Michael Steirnagle. I have painted the figure a number of times, but have really wanted to concentrate on it more, ever since our trip last spring to Europe. Michael's paintings are amazing, and such an inspiration.
Shown here is my painting in the initial stages. This image may look familiar, as I am using a similar reference photo that I used for "The Girls". It is also one of the girls from the triptych on which I am currently working. (Thanks to my friends for being such great models!!! - You know who you are:-) Check back next week to see the completed painting...
Tuesday, March 22, 2011
Video of Matildas Opening Reception
View my paintings at http://JenniferFerrisArt.com/